“What do you know about the secret world you visit when you’re asleep?”
I’m going to have to dive into another Barbara Stanwyck film at some point—maybe Sorry, Wrong Number, maybe one of the schlocky made-for-TV horro movies she made for Aaron Spelling. When I eventually do, I’m going to still have so much to say about her life and career, even though I know I blabbed a lot about both in this episode. I feel like I barely scratched the surface, though, of the goings-on with this formidable and fascinating woman.
The Night Walker was the last theatrically-released film she made before moving to television, where she flourished, winning several Emmy awards for her short-lived eponymous show and for her work as the matriarch of a ranching family on The Big Valley.
The Night Walker also marked another end, as it was the last black and white film released by Universal.
Though it flopped, William Castle had one more solid film in him (in my opinion), 1965’s I Saw What You Did, starring Joan Crawford. (I keep threatening to do an episode on that movie as well! What can I say, I always want to talk about Golden Age actresses.) After purchasing the rights to Ira Levin’s novel Rosemary’s Baby, Castle wanted to direct its translation to the big screen, but producer Bob Evans (wisely) convinced him to hand the reins over to a young filmmaker named Roman Polanski and remain on as a producer. I can’t even imagine what a William Castle version of Rosemary’s Baby might be like…?! Would a baby carriage be wheeled up and down the theatre aisle in the final act? (Side note: if you want to learn more about William Castle, be sure to check out the 2007 documentary Spine Tingler! The William Castle Story. He was a real gem of a fellow.)
Stanwyck with first husband, the Vaudeville superstar/fascist/abuser Frank Fay
As a Ziegfeld girl, 1924
Gawd, Double Indemnity’s Phyllis Dietrichson is SO COOL
FURTHER READING:
A Life of Barbara Stanwyck: Steel-True 1907-1940 by Victoria Wilson
Barbara Stanwyck by Al DiOrio
Stanwyck by Axel Madsen
The Sewing Circle: Hollywood’s Greatest Secret by Axel Madsen
Hollywood Lesbians by Boze Hadleigh
Open Secret: Gay Hollywood 1928-1998 by David Ehrenstein
It’s a good thing she married Robert Taylor to get some sex appeal!
My top Stanwyck recs:
BABY FACE (1933)
STELLA DALLAS (1937)
THE LADY EVE (1941)
BALL OF FIRE (1941)
DOUBLE INDEMNITY (1944)
THE STRANGE LOVE OF MARTHA IVERS (1946)
SORRY, WRONG NUMBER (1948)
THE FURIES (1950)
FORTY GUNS (1957)
WALK ON THE WILD SIDE (1962) (if only as a curio of queer cinema!)
THE HOUSE THAT WOULD NOT DIE (1970, made for TV)
A TASTE OF EVIL (1971, made for TV)